Leaflet Development

Leaflet front cover (

 

As my exhibition is now forming a coherent and competent visual style, I feel the appropriate next step is to begin developing the leaflet visuals as well as the information that will be contained within the leaflet. I feel this is appropriate as I have conducted extensive research into the Chernobyl disaster, allowing me to create paragraphs of interesting reading material that will attract readers to visit my exhibition.

For my leaflet I have used minimal imagery, keeping it simple within the spreads in order to allow me to include large amounts of text, while still keeping the pages open and full of both positive and negative space. My front cover will play on my Tagline, “A Truth, Uncovered” by my plans to use one of my vector illustrated fingerprints and excluding that from a red background, this will effectively create a fingerprint sized hole within the front cover, once my leaflet has been printed I will then cut out the negative space using a scalpel, allowing readers to see slightly into the leaflet through the holes created by the scalpel. However once the leaflet is “uncovered” the page will be tuned and only then will the information on the page become fully visible, This is being done not only to add an innovative print style to my leaflet so that it can stand out when placed amongst other leaflets, I feel this is needed due to the fact that my colour palette uses a minimal amount of colours that are not particularly bright. I have also made my leaflet this way because I think it helps to accurately represent the uncovering of the facts about the Chernobyl disaster, as well as the journey that the visitor will go through whilst visiting my exhibition. Allowing them to uncover the stories, and the facts behind the disaster. I think this is especially appropriate for use within the due to the fact that the leaflet will be the first thing that visitors will likely see about my exhibition, so the striking front cover and specialist print styles will seriously assist in giving my exhibition a professional and high quality look.

After trying out different colour alternatives for the background etc. I decided that the red background with black text seemed to look most effective, while a gray background looked slightly to bland for a front cover, A black background looked too heavy, however I am thinking of changing the colour of the background once I begin developing the actual spreads that will be used within the leaflets itself. Although I have mentioned that a gray background would be too bland for a front cover, I think for the actual spreads it would work perfectly. I think it will allow me to include informative black body copy with the red and black title format that I have been developing throughout the project. The gray background will look formal, yet slightly aged, perfectly matching the aesthetic that the timeframe in which the Chernobyl disaster occurred.

Logo Development

Proclaim Logo Marque (Fingerprints) basic

After creating my initial marque outcomes, I decided to press forward with the fingerprint textured outcome, although my initial worries are that it is not entirely obvious that the texture is that of a fingerprint, it may at first appear as a zebra type pattern, however hopefully the Eastern bloc typeface as well as the Cyrillic alphabet will give off more a dark atmosphere, making the overall logo look less like a zebra striped pattern. My other worry with this logo is that the fingerprint texture does sometimes miss out on some parts of certain letterforms, this does hurt legibility slightly, however I think it does also play into the decaying aspect of the logo by reducing some of the visibility within one or two of the Cyrillic translation. This also helps to translate the gradual fading away of the “Facts” that were put forward by the soviet union in relation to the Chernobyl disaster. As the real truths and facts are revealed, what people were previously told fades way within their memory and is eventually forgotten about. I think to improve the legibility and explore different possible patterns it would be a good idea to attempt the fingerprint pattern with different overlays. As the way I have created this texture is by simply pressing my fingerprint onto a piece of paper, photographing it, I then proceed to illustrate it within a vector format, giving the illustration perfectly clear quality. The lines are slightly reduced and simplified before I then place the entire fingerprint over the top of the proclaim name written in my chosen typeface (Myra 4F Caps), I then select the fingerprint, go back on to the type layer, before I finally inverse my selection and simply erase everything that is not selected. This allows only the colour that is present within both the text and fingerprint layer to show through, producing a legible fingerprint texture.

Developing A Logo Marque and Identity Further

logo marque development MK1

Moving foward with my decided name for my exhibition, I have developed some inital potentials that can be used as my logo marque, although some of them lack colour, i think leaving them black and white gives off a more aged and serious feel, accuratley representing the gravity held by the event in which the exhibition is going to be about. Attempting to use all of my previous research incorperatied into the logo, as a marque should speak the messages of the product or service of which it is for. For this example I would need something which expresses the individualilty of the hidden heroes while still giving off a sense of seriousness of the events of the Chernobyl disaster. I think the logos containing both the word PROCLAIM and the translated alterntive word helps to show where the exhibition is taking place while the font also helps to guide viewers as to what and where the exhibition is about. I wanted a logo that uses mainly text in order to increase legibility as well as reflect art that was present during the time, the font seems so strong and relevant to the project that I think including a mainly typographical logo is optimal for me.

Overall I think that my best experimentation is one where I overlay a fingerprint texture over the top of the type.

Hidden Hero Profile Body Copy

Boris Scherpina

 

Valeri Legasov

By the time of the Chernobyl disaster on 26 April 1986, Legasov was the First Deputy Director of the Kurchatov Institute of Atomic Energy. He became a key member of the government commission formed to investigate the causes of the disaster and to plan the mitigation of its consequences. He took the most important decisions to avoid repeat accidents and informed the government of the situation in the disaster area. He did not hesitate to speak to his fellow scientists and to the press about the safety risks of the destroyed plant and insisted on the immediate evacuation of the entire population of the city of Pripyat nearby. In August 1986, he presented the report of the Soviet delegation at the special meeting of International Atomic Energy Agency (IAEA) in Vienna. His report displayed a depth of analysis and honesty in discussing the extent and consequences of the tragedy. Legasov recorded 5 audio tapes where he expressed his point of view on events that happened in Chernobyl. The 5th and last tape is recorded together with A. Adamovich in form of an interview for an article.

Legasov committed suicide one day after the second aniversary of the Chernobyl disaster. After he outed the truths about the design flaws within the RBMK reactors, strictly aganist the advice given to him by various Soviet Union officals. He was supported by the various scientisits that supported him throughout his discovery and investigation of the disaster. Although fully aware of the dangers to his life, Legasov took visited Reactor number four multiple times, spending the large portion of his time in camps and hotels inside the exlcusion zone, this rapidly shortened his life expenctancy.

Legasovs actioned essentallly prevented a second disaster on the scale of chernobyl ever happening again, his actions and his sucicide made the audio tapes he created impossible to ignore as the tapes circulated around the soviet scientist community the govenemtn were forced to fix the issues and rectifiy their mistake. Much of Legasovs story had been hidden for a large period of time due to the nature of his actions, the fact he went against what the soviet union govenment was informing him to do, a large effort was made to attempt to hide his heroic actions form view and then to discredit anything that made it outsdie of the scientific community.

Divers- Boris Boranov, Valeri Bezpalov, Alexi Ananenko

The “Divers of Chernobyl” consisted of two plant workers and a manager who delved into the densely radioactive waters of Chernobyl to manually drain the ruptured water pumps that would soon cause a massive thermonuclear explosion cabable to destroying much of the life within Europe. Not told that they would likely die within a week, and offered only a small reward for their efforts, the three men still performed the task, being wokrers within the power plant, they would have certainley been able to work out the dangers of delving in that water for so long, even when dressed in full protective gear.

The mens torches failed whilst in the water and so had to find the water pipes by touch. Spending hours in the heavily contaminated water.

Once the large water tanks had been drained the men were greeted with applause and vodka. However they were expected to be dead of Acute Radiation Sickness (ARS)

Mining crew cheif- Andrei Gluhkov

 

Evac Leader- Maria Protsenko

 

Firefighters-  Vasili Ignetenko

 

Elephants food photographer- Artur Korneyev

 

Roof clearers

 

 

Research On The Effect Of Radiation

Recieving an overdose of ionizing radiation is generally split into the catagoreys. after being exposed to an unsafe amount of radiation you can either be diagnosed with ARS, Acute Radiation Sickness. Or Chronic Radiation Syndrome. ARS is normally caused by much higher doses of radiation and will often result in death. Below is a chart listing the effects that different amounts of radiation can have on the human body.

 

blog pic spreadsheet.jpg

Ionizing radiation sends particle beams at almost the speed of light (roughly 300 million metres per second) through any matieral that it comes into contact with, when going through a human body, it will literally shred cells and DNA strands that it comes into contact with. The dead cells will then cause other cellular parts of the body to malfuntion, in smaller doses this will cause caner, more oftenly thyroid cancer due to inhilation of irradiated air. However if the body is exposed to extremly high amounts of radiation, this is will happen, instead the body cannot heal the wounds that the radiation has caused, effectively unwravelling the extremly complex structure of the human body, causing cells to stop being produced, allowing skin to decompose and organs to malfuntion. I think this aspect of “unravelling” is interesting, it plays into several elements of my exhibition, the unravelling of the reactor, the facts surrounding the event, as well as the unravelling of the soviet union swiftly following the Chernobyl disaster.

These effects and ARS would have occured to people such as the firefighters putting out fires on the night of the disaster and the plant workers who were on shift on the night of the explosion occuring. short and high doses of radiation cause this condition whereas Chronic Radiation Syndrome is caused being exposed to lower doses of radiation for a much longer duration.

Chronic Radiation Syndrome is present within the majority of those workers who were part of the immediate cleanup effort surrounding the reactor. Such as the roof clearers and the 14,000 residents of Chernobyl that had to be evacuated following the explosion.

The effects are felt less intensely and the latency period is over a number of years as opposed to days, this condition is not as fatal as ARS however it still caused widespreads deaths and cancers throughout the surrounding region.

On Display- “Hidden Heroes”

im planning on making part of my exhibition a booklet that can be used while within the exhibition space. I wanted the appearance to be professional, government themed. Possibly a leather bound booklet with coloured archival type paper stock.

 

Initially I was thinking of creating the booklet physically however as part of the brief mentioned that actually creating the work within the exhibition space is not necessary. Due to this I am planning on changing the idea to an app, I think creating the work within an app would not only fit the brief better, it would also make the fingerprint effect that i plan on creating much easier, as i am unsure whether the paper stock exists that i need, whereas within an app the technology could very easily be achieved.

hidden hero pic

pic 2

My first draft iteration of a hidden heroes page, attempting to replicate the atmosphere of a formal themed piece, I’m thinking of having the body copy in large, regimented sections. As well as having a strong sense of symmetry within the page making it appear more formal. While this layout will work effectively if the booklet is printed physically I am worried about if the body copy will be too small and therefore lose legibilty if it is placed within an app format.

A potential improvement for this piece is to make the large photo within the centre of the page as a photogram. This allows me to potentially manipulate the photo with objects placed above the photo when it is being exposed to light. An idea is once the photo has been exposed to light, I could leave the small fragments of chemicals on the photogram on the photo, after being left for an amount of days, the chemicals slightly corrode the photo and the reminants group together to form small brownish clumps on the page, making it look irradiated and aged.

Brand Expansion: Name & Marque

font picks

As my experimentations and research are currently inconsistent, I feel a unification of type systems are needed. I am very much decided on using a sans serif font for large titles, however serif fonts for body copy could potentially be advantageous to offer an amount of contrast and potnetially offer different aesthetic alternatives.

Looking for an appropriate font that both suit my work and also would have to have the cyrilic alpahbet available to it, exploring with heavy weighted fonts increases the legibilty but then it does not leave much room for experimentations with the text, I feel thinner fonts do leave my opportunites more open to experimentations.

I then began looking at eastern bloc types, this solved the issue with the availabilty of the cyrilic. It also fits the time period and gives off a Russian Aesthetic without needing to include the cyrilic alphabet.

myra thumbnail

Finding a font called “Myra 4F Caps”. An eastern bloc themed type, containing the full cyrilic alphabet, the font is medium to thin weight and contains plenty of room for kerning adjustment and other changes. I personally find the sharp curves of the letterforms and the uppercase letters giving off a neat, uniform finish which makes the font extremly legible while still matching the rest of the criteria that I wanted from a typeface. However the only issue with this typeface is the lack of lower case letterforms makes it largely unsuitable for mass amounts of body copy, meaning i will have to find another typeface for body copy. My initial thoughts are still remaining with sans serif but choosing a much lighter font as so not to make the spreads look too heavy with text.

Marque and name generation.

Following on from my research I have begun creating some digital imagery relating to my on chosen on display topic, Glitch.

Firstly I began working on the logo marque as well as the name that would become the title of my exhibition, I wanted to avoid words that related too closely to radioactivity and radiation. But still a name that would entice potential customers to come and view my exhibition, Initial thoughts were the name “Chernobyl” But I thought that left the topic far too open to deliberation. As my Exhibitions main purpose is to educate people about the Chernobyl disaster and the people I thought the name “Hidden Heroes” would be appropriate, however once I created some digital outcomes I became distanced with the name, I felt it was too generic of a name to brand to an entire exhibition, however it lacked the attention grabbing aspect to invite potential viewers to come and read more. Although I do like the name and will likely make it a smaller part of my overarching brand and exhibition.

 

Moving on from this I then looked further into what my exhibition was representing, It was too obvious to simply name It something relating to the entire event of “Chernobyl”. My exhibition is going to specialize in the education of those who visit it, much of the information is hidden away in articles online and research papers, It simply needs someone to announce it in a visually interesting way that grabs viewers attention while still focusing on the actual educational and knowledge part of the events. This is where I began looking at the thesaurus to find alternative words to “Announce” I wanted something that means “to announce something publicly that has been purposefully hidden away”. Initial Ideas involved

“Over Time,

Out of Memory”

 

“Potent Adumbration”. I liked this name and the meaning behind it, however although the actual meaning of the words sum up my idea perfectly, I don’t think that it is sufficiently attention grabbing to attract a large group of people to my exhibition. I tried to remove the purposely hidden element of the name and arrived at my favorite outcome, simply the word “PROCLAIM”. I then made some digital outcomes with this name in mind to see how it looked on paper, pleased with the outcomes I decided to add the Russian type under the heading to both make it bilingual and add to the eastern bloc type more, making it look more fitting and to open up the opportunities to include multilingual typography throughout the exhibition. My personal Favorite outcome included the fingerprint texture over the text, I wanted to include some corrosion to various bit of text and imagery however I thought it would look too cliché, but this fingerprint texture gives off this corroded effect by introducing large areas of negative space where any fingerprints aren’t present, effectively avoiding the cliché corroded effect.

On Display- Visual Exploration of my Idea

Initial idea for imagery and visual systems for me to use within my exhibition have been inspired by looking over the internet at some design work that already exists in order to get a gauge for how the different aspects of my exhibition could possibly look like,

Some of the more influential sources are below:

Looking at the artworks above I seemed to be noticing a theme of a large portion of the work that attracted my attention very often used colour like: Red, Black and Grey. A lot of them are very heavily text orientated, containing more so geometric shapes rather than full on imagery, while this would be very much fitting for my style of work, I feel as though emotional imagery would be too needed in an exhibition for me to create artworks that contained only typography, although it is very possible to convey emotion through type, I wonder if for this particular project, imagery based works may create a more powerful response from the viewer.

 

Moving on from looking at others work, I now need to begin experimenting with my own techniques and seeing how effective they respond to the brief.

Visual Experimentation 1

My first experimentation draws inspiration from Russian art movements at the time of the Chernobyl disaster occurring, using large block letter-forms to create a short message, the type used is an altered from of the impact font, I have simply extended certain parts of the letter-forms to allow the “E” to overlap over the “A”, this then allows for additional text to be placed along the height of the letter-form a well as providing a larger amount of dark space to fill up the page, while still providing a purpose. I think this accurately echos Russian art while still providing enough innovation and change in order for the work to look fresh and interesting. I think this example would work well as a border for some kind of title, Possibly placing the title along the “E”, or perhaps expanding the work to create some kind of box for titles and sub titles to be placed within. Although this is still very early in the development changes, I like the finish of the piece and feel as though it has enough potential to warrant creating further experimentation to see how the concept ends up as a more polished piece of work.

Visual Experimentation 2

Moving on from my initial experimentation, I have created a more advanced and complex version of the previous work, successfully reflecting on the potential improvements mentioned. I have decided to extend the artwork, I did this because I wanted more space to allow me to explore more ideas and see much more clearly how the concept in my head played out once placed onto a digital screen I think the colours are very appropriate for digital and print, the slightly faint red would be easily achieved on printed paper, I think this work is the start of my potential colour scheme, although I will soon experiment with colour schemes, it seems that red and black are very much a potential choice for my project. I also like the bilingual type that  have used, it makes the work not only much more authentic, but then also allows my work to become legible by a greater number of people, potentially broadening my target audience. Finally I do think the typeface may need to be changed, although the thicker letter-forms accurately represent Russian art movements, I do not think the same about the smaller, lighter text. I feel this needs to be readjusted if I am to take this any further. However one final point to note about the text is the potential that including a slightly ill fitting text alongside something like the heavier text seen here that fits so appropriately, it may work to still give off the desired feel overall, with the lighter text simply working to give the whole work a more innovative and fresh look to an already created art movement that may have had the vast majority of the aesthetics explored.

 

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Visual Experimentation 3

Moving forward with my experimentation, I thought back on the 1980s, a time with much less technology potential, and so to begin my next experimentation I decided to use a more physical procedure to create a less polished and more erratic and unpredictable outcome. I felt this was appropriate due to the nature of my topic begin the Chernobyl disaster. An event caused by such unpredictability I attempted to capture some of this within the title.

To create this, i began by blowing small amounts of ink across multiple pages, I did this in the hope to create some fading, unpredictable patterns that looked aesthetically pleasing when combined with text. Since the ink was black it would be easy to move on to the next step which was editing and combining everything inside of Photoshop. While it would have been advantageous to create this in illustrator, the programme lacked the required photo editing performance i required. By simply editing out the background and darkening the ink I then could edit certain parts to make them fit into the text in front. Using a medium weight sans serif font for legibility i then combined the edited ink spots with the letter-forms to make them look as though they were an extension of the letter-form themselves, I like the finish it gives off and I was considering taking this further however I think the ink effect on its own has enough impact and adding more effects would simply dilute the work. I did experiment further with removing small sections of the first few letter-forms as a way of conveying the effect of radiation, however I feel as though the ink does this enough on its own.Visual Experimentation 4

Rather than adding more effects to the text, I thought a way to avoid over dilution of the work could be to simply include more colour to make it more interesting. Taking a strong red and faint grey to offer some greater contrast, as I found the previous experimentation looked slightly flat, although I did prefer the black alternative as it gave off a darker feeling, whereas this experimentation seems to colourful and light. Although I do not like this experimentation, the shift in colour has given me valuable insight into what my colour scheme is going to be.

On Display, Developing My Visual Style

Poster

Moving forward with my digital and typographical outcomes, I was next needing to expand my outcomes into the deliverables format that I am required to submit at the end of the project. After inital thoughts on what the visual language might look like within the logo marque, I decided to try and create some digital mockups of potential poster layouts. For my poster I need to be able to attract audeinces from a far distance away, while still keeping them interested while they approach closer, I personally find it exteremly easy to miss the perfect mark when creating a poster. With previous experimentations I used a large amount of red and black within my colour scheme,as much of my inspirational research also contained this colour scheme, it seems advantageous to carry this theme onwards moving fowards.

Picture1

After my research it became clear to me that the true facts of Chernobyl are much uglier than the facts that were told at the time at the disaster. Due to the nature of the nation in which the diaster occured as well as their effort to prevent a panic situation from arrising with the Soviet Union. However due to the pure scale of the diaster, the nuclear radiation was detected in countries as far away as Sweden merely hours after the incident occured. This is also the most dangerous time for radioactivity. Those unstable elements that producde the greatest amount of radiation also last the shortest amount of time. However the short lived fuel used within the Chernobyl reactor four was also only used by the soviet union, so once the small levels of radioactivity were detected within Sweden, it was very easy to tell that the soviet union was the origin of the disaster.

After this research I decided to attempt to use imagery and visual metaphor for this situation. Throughout the disaster there were many other examples of the Russians attempting to play down the severity of the disaster e.g. when the workers required robots to clean the roof of reactor no.4. The soviet government gave other countries a much lower number of radiation that was actually detected. Due to this, the other countries donated robots that were not capable of withstanding the radiation, leading to men having to clear the roofs manually, nicknamed “bio-robots”.

The image I decided to take forward was this image of “in Russian, everything is neat and refined” however in other languages it is a total disaster. I decided to attempt to translate this throughout all of my text in my brand. Seen in this particular poster I have translated that message within the text by having the Russian headings text be perfectly set kerning, leading and all other typographic systems, however this text is hidden behind the slightly larger English heading where the kerning is changed often between letterforms, some of the letterforms are turned italic whereas some are not, as well as some tails on letterforms appearing to melt down the page.

Overall, by applying this effect the English writing becomes slightly unsettlingly to look at, translating the ugly truths of the events of Chernobyl that have been proven to be true. As this exhibition is taking place in the present tense and the true facts have been revealed I decided to have the neat and perfectly formed Russian letterforms placed in the background, so that the English letterforms are glaring at the viewers more significantly.

Developing My Visual Identity

 

Moving forward with my imagery identities. I was pleased with my text editing concepts for large titles and headings. I now need to create examples that use these effects in context.

heading one

Evolving the typrgraphy forward more I have decided to look further into the divide between the English and Russian truths by placing a line through the center of the headings and then cutting off small parts of the type with the line, and then having the translation appearing out the other side of the dividing line, Im using this line to symbolise a physical divide between the different nations. The layering effect is still present within this piece to an extent however I wanted to use up more of the divide as well as the fact that the legibility is already slightly distorted by the cutting off of the typography with the divide, If I were to then distort it more by layering the text behind themelves, It may then make the text too unlegible for use inpartularly in posters, as the titles will need to be read from a far distance.

Removing the layering text effects also allows me to potentially explore with more colour alternatives. As the text does not overaly I am then able to make the entire title the same colour, allowing me to include graidents into the backgrounds as a potential for layout developments. I think the diagonal line helps to add to the sharp, clean edges of the letterforms within the font (4F caps) that I have chosen to use. Making me feel that this may be the more effective alternative than my previous experimentation. However I feel this outcome may be more useful within smaller paper based alternatives. Such as leaflets and smaller booklets.